So, we’re on week 3 of Corrine Jackson’s group writing process series. And this week’s topic is: Deepening Your Characters: What is at the heart of a complex character?

Wait—you mean our characters have to be deep? Um…

Joking, of course. Characters need to have layers, and almost more importantly for me—they need to have flaws. I’m sorry, but being that I’m about a bazillion degrees away from perfect myself (shocking, I know), it’s really hard for me to relate to flawless characters. You know, the ones that are beautiful, rich, have superpowers, get the guy, and gosh darn it, are just flat-out nice. All. The. Time.

All that and she bakes, too? Kill me now.

Barf.

In fact, I’ll even go a step further. I would much rather read about a deeply flawed character than one without any imperfections. Why? Because the deeply flawed character is a heckuva lot more interesting.

If you don’t believe me, check out Justine Larbalestier’s novel Liar, where her MC Micah is a pathological liar, or Courtney Summer’s Regina in Some Girls Are. As a former high school bully, Regina was hard to relate to at times, and had some major issues. Heck, I didn’t even really *like* her half the time. That said, I finished that book in one sitting and still teared up at least three times.

When I think of some of the most memorable film characters—from Scarlett O’Hara to Forrest Gump to Hans Solo—I can see that they all have flaws. Perfection just isn’t exciting. But character flaws, and how they deal with conflict IN SPITE of them, is.

Smokin'.

So, a complex character is one who has both strengths and flaws, good and bad. Just like a real person—except when it comes to our characters, we get to torture them. Legally.

Ah, torture. That brings us to the book I’m reading, Plot & Structure, and what it has to say on character. Because you can create the most interesting character in the world, but the reader will never know unless you make that character struggle—and change as a result. The character arc, so to speak.

When James Scott Bell talks about characters, he has this to say:
What makes a plot truly memorable is not all of the action, but what the action does to the character. We respond to the character who changes.

To him, I think the heart of a complex character is the ability to change.

Now, go check out Cory’s blog and her links to all the other participating writers’ blogs!

This is how we do it…take two!

Time for the second week of Corrine Jackson’s writing process series on how writers do it. Today’s topic? Getting Into the Zone: What goes into the creative process of writing a novel? (i.e. Author’s mindset, the writer’s environment, etc.)

Lots and lots of junk food…whoa, what? Who said that? Actually, I don’t know if I’ve upped my junk food intake so much as I’ve maxed out on caffeine—one of the hazards of writing at Starbucks/Boudin.

Yeah, I’m one of those weird writers who doesn’t get much writing done at home unless it’s late at night. (read: kidlets are all locked up straight-jacketed asleep in their beds, and dogs are valiumed dozing on the couch). During the day, the house just distracts me. There’s always so much that needs to be done around here—and unless I want my MC seething with guilt over three-week-old dirty clothes piles or toilets that could be breeding the next super-bug, I tend to vamoose.

And then of course, if I sit all day at a coffee shop, it would be wrong not to buy drinks. Wrong, I tell you! Hence the caffeine.

caffeine yum

Weirdly enough, I typically can’t listen to music when I write, but I can tune out conversations, background music, etc. I think I *love* my music sooooo much, that all I want to do when I hear it is sing along. I do brainstorm up a bunch of new scenes while I listen to my iPod and run, though. And I just totally digressed there, didn’t I?

Let’s see. So far, we’ve got caffeine and Starbucks. What else goes into the creative process for me? Tons and tons of desire. I mean, there are so many distractions and other things begging to be done, you’ve really got to have that fire. For me, I have to want, no, NEED, to get my story down on paper in order to make time to do it. And the best way to make that happen is to both a) start writing the darn thing and see what comes (which sounds slightly contradictory to what I just said but trust me, it makes sense) and b) think about my story/characters A LOT.

What doesn’t go into my creative process? Outlining. I’m a total pantser. One who is trying to reform but will probably fail miserably, given how I repel all things organizationally-related.

James Scott Bell doesn’t really talk about the creative mindset so much in Plot and Structure, but he does suggest ways to brainstorm Shiny New Ideas. Examples include:

- making up a cool title and then dreaming up a story to go with it

-list mental pictures from your past and come up with little stories to describe them

-listen to music and come up with a story for the song

- scour the obituaries and recreate an original character from the biographies (As Cordelia might say–morbid much?)

-write an opening line and go from there

-mind-mapping (Something to do with writing down a word/concept that intrigues you, then doing free association to come up with a bunch of words/ideas to go with it. Honestly, it kinda scares me.)

Oh, and in case you’re wondering, there’s a small section in the book on how NOT to get ideas:

Drugs, alcohol and stress

Drugs and writing = badness...unless you're Stephen King

I know, I know—what a major killjoy! But note the conspicuous absence of caffeine from that list. Which obviously means it’s okay to tank up (hey, I had to tie this post together somehow!)

So, that’s my creative process in a nutshell—caffeine, somewhere that’s not home, and desire. What’s your creative process like?

And don’t forget to go back and check out Corrine Jackson’s post, along with all the other YA writers who participated!

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Trista Bailey’s blond ponytail swung with just the right amount of enthusiasm when she bounced down the halls.? She clutched her pristine purple notebook to her chest, laughing that tinkling laugh that made everyone flock to her like brainless ducks.? Her jeans managed to be relaxed without looking sloppy, and her cream-colored shirt seemed to repel stains—even on spaghetti day. Her metal-free mouth never called anyone names—not even Bobby Stiffey.

But none of that mattered. I didn’t care if everyone at school—in the whole county, even—thought Trista could poop new kidneys for babies. I knew she was a big fat fake.? Like Mama always said—nobody is that perfect.? And it was my job to prove it.? Even if proving it would make me the meanest girl in all of Hobblesworth, I was going to bring Trista Bailey down.

Right after I finished mastering fractions for my sixth-grade math test which, at the rate I was going, would? take at least a? century.? Lucky for Trista I sucked at math.

Anyway–I’m excited to announce that I’ve just joined an awesome crew over at the OPWFT blog, or Old People Writing for Teens.? No need to know that I call us the geezers writing for teens.? Oops.? Let’s just say, some of us are more geezerly than others, and leave it at that.? (Cough, me, cough, cough).

All of the contributers to OPWFT are aspiring Young Adult authors who? post about–you guessed it–Young Adult books.? We often interview published YA authors, and also rant chat about topics dear to YA.? So swing on by sometime and check it out, if you get the chance.? Most recently, we’ve been posting about the American Library Association’s Banned Book Week.

Cheers!

So obviously Buffy, being? the slayer and all,? has to try to stop him.? But you know, it’s one thing to break up with your boyfriend, and another? thing entirely to turn him into a big pile of dust by stabbing him through the heart with a sharp pointy stick.? You think that’d be tear-jerking enough, right?? ? Oh no, not for Whedon.? Like some gruesome Big Bad from the Buffysphere, he couldn’t stop until our still-beating hearts were completely ripped from our chests and stomped on a few hundred times.? Because,? at the end of Season Two,? the curse and? Angel’s soul are restored—just moments? before Buffy has to kill him to save the world.? Talk about future emotional baggage.? So, Joss?? You may be genius-like and all, but please, do me a favor–don’t? go writing my future anytime soon.

Seriously, though, for those of you who have never watched Buffy before?? It’s worth a look.? I mean, even beyond the tragediest of tragedies, Whedon has? tons to offer.? The Buffy-banter alone–some of the funniest, hippest dialogue ever produced, bar none–makes this show entirely too addicting.? Yes, the special effects in the first season are unbelievably low-budge, but it just adds to the? campiness of the whole experience.?

? And how can you resist the supporting cast?? Xander, for instance, the nerdy side-kick who says stuff like,? “I laugh in the face of danger.? Then I hide until it does away,”? and “? I don’t know what everyone’s talking about–that outfit doesn’t make you look like a hooker.”? And then there’s always,? “There’s a party in my eye socket, and everyone’s invited.”? (Um, okay, so that last one is sort of a ‘had to be there’ type deal.)

And bitchy, popular Cordelia was always good for a line or two–”What is? your childhood trauma?” comes to mind.? Oh, and “Willow–nice dress.? Glad to know you’ve seen the softer side of Sears.”

I could seriously be writing for a week straight if I tried to include all of the great Buffyisms out there.? But since I think the kiddage would object, I’ll just throw out a few more favorites that pop immediately to mind.? If you’re? a Buffy fanatic, feel free to leave your favs in the comment section.

Buffy:

“Can you vague that up for me a little more?”

“I think I speak for all of us when I say…huh?”

“I may be dead, but I’m still pretty—which is more than I can say for you.”

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Spike is always good for some hilarious lines, but one of my personal favorites is when Buffy commands him to sum up what he’s doing in five words or less. ? Spike, counting each word out on his fingers, says, “Out. For. A. Walk….Bitch.”

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Or here’s this excerpt from a conversation with Angeles about killing Buffy:

Spike: ? Why don’t you rip her lungs out? ? That’ll leave an impression.

Angeles: ? It lacks poetry.

Spike: ? Doesn’t have to. ? What rhymes with ‘lungs’?

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And of course, some of the best ones are totally random. ? For instance:

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Vampire Girl: ? Does this sweater make me look fat?

Sunday: ? ? ? ? ? ? ? ? No, the fact that you’re fat makes you look fat. ? That sweater just makes you look purple.

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Girl: ? Have you accepted Jesus Christ as your personal savior?

Buffy: ? Uh, you know, I meant to, and then I just got really busy.

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Buffy: ? I seem to be having a slight case of nudity here.

Oz:? ? ? ? But at least you’re not a rat any more. ? Call it an upside.

But, I do have to say, Meyer’s got? Whedon on the endings. Unless you’re into ‘lonely-ever-after’.? ? Because when it comes to? giving us what we want in terms of a romantic conclusion?? ? Well, let me put it into Buffyspeak. Basically, on a scale of one to ten—Whedon sucks.